An instant New York Times bestseller!

“Batuman has a gift for making the universe seem, somehow, like the benevolent and witty literary seminar you wish it were . . .This novel wins you over in a million micro-observations.” —The New York Times

From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin’s quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood

Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel—a life worthy of becoming a novel—without becoming a crazy abandoned woman oneself?

Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel.

Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.

If you appreciate a good caper, you'll want to pick up Kirstin Chen's novel . . . Fast-paced and fun, with smart commentary on the cultural differences between Asia and America. -- TIME

"Propulsive and captivating . . . A provocative story of fashion, friendship, and fakes (in more ways than one)." -- VOGUE

Recommended by Entertainment Weekly - Time - Cosmopolitan - Harper's Bazaar - Vogue - Good Housekeeping - Buzzfeed - Oprah Daily - Parade - Popsugar - Goodreads - Katie Couric Media - The Millions - Bookpage - Electric Literature - and more!

For fans of Hustlers and How to Get Filthy Rich in Rising Asia, the story of two Asian American women who band together to grow a counterfeit handbag scheme into a global enterprise--an incisive and glittering blend of fashion, crime, and friendship from the author of Bury What We Cannot Take and Soy Sauce for Beginners.

Money can't buy happiness... but it can buy a decent fake.

Ava Wong has always played it safe. As a strait-laced, rule-abiding Chinese American lawyer with a successful surgeon as a husband, a young son, and a beautiful home--she's built the perfect life. But beneath this façade, Ava's world is crumbling: her marriage is falling apart, her expensive law degree hasn't been used in years, and her toddler's tantrums are pushing her to the breaking point.

Enter Winnie Fang, Ava's enigmatic college roommate from Mainland China, who abruptly dropped out under mysterious circumstances. Now, twenty years later, Winnie is looking to reconnect with her old friend. But the shy, awkward girl Ava once knew has been replaced with a confident woman of the world, dripping in luxury goods, including a coveted Birkin in classic orange. The secret to her success? Winnie has developed an ingenious counterfeit scheme that involves importing near-exact replicas of luxury handbags and now she needs someone with a U.S. passport to help manage her business--someone who'd never be suspected of wrongdoing, someone like Ava. But when their spectacular success is threatened and Winnie vanishes once again, Ava is left to face the consequences.

Swift, surprising, and sharply comic, Counterfeit is a stylish and feminist caper with a strong point of view and an axe to grind. Peering behind the curtain of the upscale designer storefronts and the Chinese factories where luxury goods are produced, Kirstin Chen interrogates the myth of the model minority through two unforgettable women determined to demand more from life.

Chen keeps readers on the edge of their seats as she weaves an addictive tale about the high/low world of counterfeit luxury handbags . . . A glittering, provocative read. -- JANICE Y.K. LEE, New York Times bestselling author of The Expatriates

Sly and thoroughly compelling . . . Chen's ingenious plot will keep you breathless to the last page. -- CLAIRE MESSUD, New York Times bestselling author of The Burning Girl

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

For fans of Jacqueline Woodson and Brit Bennett, a striking coming-of-age debut about friendship, community, and resilience, set in the housing projects of Chicago during one life-changing summer.

Toya Wolfe is a storyteller of the highest order. Last Summer on State Street is a stunning debut.--Rebecca Makkai, New York Times bestselling author of The Great Believers

Even when we lose it all, we find the strength to rebuild.

Felicia "Fe Fe" Stevens is living with her vigilantly loving mother and older teenaged brother, whom she adores, in building 4950 of Chicago's Robert Taylor Homes. It's the summer of 1999, and her high-rise is next in line to be torn down by the Chicago Housing Authority. She, with the devout Precious Brown and Stacia Buchanan, daughter of a Gangster Disciple Queen-Pin, form a tentative trio and, for a brief moment, carve out for themselves a simple life of Double Dutch and innocence. But when Fe Fe welcomes a mysterious new friend, Tonya, into their fold, the dynamics shift, upending the lives of all four girls.

As their beloved neighborhood falls down around them, so too do their friendships and the structures of the four girls' families. Fe Fe must make the painful decision of whom she can trust and whom she must let go. Decades later, as she remembers that fateful summer--just before her home was demolished, her life uprooted, and community forever changed--Fe Fe tries to make sense of the grief and fraught bonds that still haunt her and attempts to reclaim the love that never left.

Profound, reverent, and uplifting, Last Summer on State Street explores the risk of connection against the backdrop of racist institutions, the restorative power of knowing and claiming one's own past, and those defining relationships which form the heartbeat of our lives. Interweaving moments of reckoning and sustaining grace, debut author Toya Wolfe has crafted an era-defining story of finding a home -- both in one's history and in one's self.

Learning to Talk is a dazzling collection of short stories from the two-time winner of the Booker Prize and #1 New York Times bestselling author of the Wolf Hall trilogy.

With a New Preface

In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall trilogy, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood.

Absorbing and evocative, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the young narrator, the only way to survive is to get up, get on, get out. In “King Billy Is a Gentleman,” the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. “Curved Is the Line of Beauty" is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In “Third Floor Rising," she watches, amazed, as her mother carves out a stylish new identity.

With a deceptively light touch, Mantel illuminates the poignant experiences of childhood that leave each of us forever changed.

“A book of her short stories is like a little sweet treat...Mantel’s narrators never tell everything they know, and that’s why they’re worth listening to, carefully.” —USA Today

“Her short stories always recognize other potential realities...Even the most straightforward of Mantel’s tales retain a faintly otherworldly air.” —The Washington Post

NAMED A MOST ANTICIPATED BOOK BY The Millions, Harper's Bazaar, New York Magazine, LitHub, AV Club, and more

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet

Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. 
 
Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, will prove to be very thin indeed.

A razor-sharp debut novel of three best friends navigating love, sex, faith, and the one night that changes it all.

It's always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, and countless aunties and uncles, they've learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend's place is disguised as a best friend's sleepover, and tiredness can be blamed on studying instead of partying. But as they grow older and the stakes of love and life grow higher, the three young women find this delicate balancing act between rebellion and religion increasingly difficult to navigate.

Malak has always wanted the whole package: for her partner, community, and faith to coexist happily, and she wants this dream so much she's willing to break her own heart to get it. Kees is in love with Harry, a white Catholic man who her parents can never know about. When he proposes, she must decide between her future happiness and the life she knows and family she loves. Jenna is the life of the party, always ready to seek out new pleasures even though she's plagued by a sense of loneliness she can't shake. Through it all, they have always had each other. But as their college years come to a close, one night changes everything as harsh truths are revealed and their bonds are ruptured.

As their lives begin to take different paths, Malak, Kees, and Jenna--now on the precipice of true adulthood--must find a way back to each other as they reconcile faith, family, and tradition with their own needs and desires. These Impossible Things is a paean to youth and female friendship--and to all the joy and messiness love holds.

"Yasmin Ghorami is twenty-six, in training to be a doctor (like her Indian-born father) and engaged to the charismatic, upper-class Joe Sangster, whose domineering mother Helen is a famous feminist. Though both Yasmin's parents and Joe's mother approve of the marriage, the cultural gulf between them is vast as, it turns out, is the gulf in sexual experience between Yasmin and Joe. The novel opens as Yasmin, her parents, and her brother pile into their car, packed with Indian food prepared by Yasmin's mother, to go to dinner to meet Joe's mother in her elegant townhouse in one of London's poshest neighborhoods. Contrary to all of Yasmin's fears, her unsophisticated and somewhat flamboyant mother is embraced and celebrated by Helen and her friends"--

A NEW YORK TIMES WRITER TO WATCH - A dazzling novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system--the debut of a blazingly original voice that "bursts at the seams of every page and swallows you whole" (Tommy Orange, best-selling author of There There)

Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent--which has more than doubled--and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.

One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department.

Rich with raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before.

Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance.

MOST ANTICIPATED BOOK of 2022 by Glamour, W, Nylon, Fortune, Lit Hub, The Millions, and more!

One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past.

What would normally pass for coincidence becomes something far stranger as the recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult.

Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.