End of Story
For fans of Knives Out comes a spellbinding thriller from the author of the #1 New York Times bestseller The Woman in the Window
"I'll be dead in three months. Come tell my story."
So writes Sebastian Trapp, reclusive mystery novelist, to his longtime correspondent Nicky Hunter, an expert in detective fiction. With mere months to live, Trapp invites Nicky to his spectacular San Francisco mansion to help draft his life story . . . while living alongside his beautiful second wife, Diana; his wayward nephew, Freddy; and his protective daughter, Madeleine. Soon Nicky finds herself caught in an irresistible case of real-life "detective-fever."
"You and I might even solve an old mystery or two."
Twenty years earlier--on New Year's Eve 1999--Sebastian's first wife and teenage son vanished from different locations, never to be seen again. Did the perfect crime writer commit the perfect crime? And why has he emerged from seclusion, two decades later, to allow a stranger to dig into his past?
"Life is hard. After all, it kills you."
As Nicky attempts to weave together the strands of Sebastian's life, she becomes obsessed with discovering the truth . . . while Madeleine begins to question what her beloved father might actually know about that long-ago night. And when a corpse appears in the family's koi pond, both women are shocked to find that the past isn't gone--it's just waiting.
NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin
“The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times
I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer.
Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.
In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and their world. There are pieces on a legendary crime reporter in Miami and on an erudite film critic in Dallas who once a week transformed himself from a connoisseur of the French nouvelle vague into a fan of movies like Mother Riley Meets the Vampire. Trillin writes about the paucity of gossip columns in Russia, the icebreaker he'd use if he met one of his subjects socially (e.g.: “You must be wondering why I referred to you in Time as a dork robot”), and the origins of a publication called Beautiful Spot: A Magazine of Parking.
Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an invaluable portrait of one our fundamental American institutions from a master journalist.
Named a Best Book of the Year by The Guardian and The Financial Times
From “one of the most original minds in contemporary literature” (Nick Hornby) the bestselling and award-winning author of Golden Hill delivers a noirish detective novel set in the 1920s that reimagines how American history would be different if, instead of being decimated, indigenous populations had thrived.
Like his earlier novel Golden Hill, Francis Spufford’s Cahokia Jazz inhabits a different version of America, now through the lens of a subtly altered 1920s—a fully imagined world full of fog, cigarette smoke, dubious motives, danger, dark deeds. And in the main character of Joe Barrow, we have a hero of truly epic proportions, a troubled soul to fall in love with as you are swept along by a propulsive and brilliantly twisty plot.
On a snowy night at the end of winter, Barrow and his partner find a body on the roof of a skyscraper. Down below, streetcar bells ring, factory whistles blow, Americans drink in speakeasies and dance to the tempo of modern times. But this is Cahokia, the ancient indigenous city beside the Mississippi living on as a teeming industrial metropolis, filled with people of every race and creed. Among them, peace holds. Just about. But that corpse on the roof will spark a week of drama in which this altered world will spill its secrets and be brought, against a soundtrack of jazz clarinets and wailing streetcars, either to destruction or rebirth.
From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah's The Women—at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.
Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.
As green and inexperienced as the men sent to Vietnam to fight, Frankie is over-whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost.
But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.
The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.
Come and Get It
NEW YORK TIMES BESTSELLER
USA Today Bestseller
A Good Morning America Book Club Pick
An Indie Next Pick
A LibraryReads Pick
From the celebrated New York Times bestselling author of Such a Fun Age comes a fresh and provocative story about a residential assistant and her messy entanglement with a professor and three unruly students.
It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.
A fresh and intimate portrait of desire, consumption, and reckless abandon, Come and Get It is a tension-filled story about money, indiscretion, and bad behavior—and the highly anticipated new novel by acclaimed and award-winning author Kiley Reid.
NEW YORK TIMES BESTSELLER • A MOST ANTICIPATED BOOK • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.
“Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There
“The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies
Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.
Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.
INSTANT NEW YORK TIMES BESTSELLER!
"Shuster crafts an intimate account of the Russian invasion, which vividly captures Zelensky's transformation from a clean-cut funnyman into a war hero out of central casting." --New York Times Book Review; Editors' Choice Selection
"The Showman surpasses all similar efforts to date and is set to be the standard by which all other works on Mr. Zelensky and Ukraine's wartime politics will be judged." --Wall Street Journal
A monumental account of Russia's invasion of Ukraine and the forging of a leader, The Showman provides an insider's perspective on the war reshaping our world, based on unprecedented access to Volodymyr Zelensky and the high command in Kyiv.
Time correspondent Simon Shuster chronicles the life and leadership of Volodymyr Zelensky from the dressing rooms of his variety shows to the muddy trenches of Ukraine's war with Russia. Based on four years of reporting; extensive travels with President Zelensky to the front; and dozens of interviews with him, his wife, his friends and enemies, his advisers, ministers and military commanders, Shuster tells the intimate and revealing story of the president's evolution from a slapstick actor to a symbol of resilience.
In their most candid accounts of the war so far, members of Zelensky's inner circle show how the president's character changed under the strains of leadership and the horrors he witnessed each day. His wife, First Lady Olena Zelenska, describes her escape from Kyiv with their children, her life on the run, and the tensions that emerged in her marriage as she struggled to return to a meaningful role in the administration. Ukraine's top military commander, General Valery Zaluzhny, shares the untold story of his fraught relationship with the president and the subsequent consequences.
Reflecting on their own regrets and critical decisions, Zelensky and his senior aides open up about the causes of the Russian invasion and how it may have been avoided. They describe with astonishing frankness how their peace talks with Vladimir Putin fell apart and how their faith in the U.S. faltered, both under Donald Trump and Joe Biden.
The Showman provides the first inside account of Zelensky's life amid the invasion, offering a clear-eyed view of his failures to prepare for it and his willingness to silence dissent under martial law. What emerges is a complex picture of a man struggling to break what he sees as a historical cycle of oppression that began generations before he was born. Even as the war drags on, Zelensky lays out his vision for its future course and, through his actions, demonstrates his strategy for countering the Russians and keeping the West on his side.
The Showman, as a work of eyewitness journalism, provides an essential perspective on the war defining our age, resulting in a riveting, vivid portrait of the invasion as experienced by its number one target and improbable hero.
On an island in the Great Massasauga Swamp--an area known as "The Waters" to the residents of nearby Whiteheart, Michigan--herbalist and eccentric Hermine "Herself" Zook has healed the local women of their ailments for generations. As stubborn as her tonics are powerful, Herself inspires reverence and fear in the people of Whiteheart, and even in her own three estranged daughters. The youngest--the beautiful, inscrutable, and lazy Rose Thorn--has left her own daughter, eleven-year-old Dorothy "Donkey" Zook, to grow up wild.
Donkey spends her days searching for truths in the lush landscape and in her math books, waiting for her wayward mother and longing for a father, unaware that family secrets, passionate love, and violent men will flood through the swamp and upend her idyllic childhood. Rage simmers below the surface of this divided community, and those on both sides of the divide have closed their doors against the enemy. The only bridge across the waters is Rose Thorn.
With a "ruthless and precise eye for the details of the physical world" (Jane Smiley, New York Times Book Review), Bonnie Jo Campbell presents an elegant antidote to the dark side of masculinity, celebrating the resilience of nature and the brutality and sweetness of rural life.
The Storm We Made
* A GOOD MORNING AMERICA BOOK CLUB PICK * One of the “most anticipated books of 2024” (Oprah Daily), this spellbinding, sweeping novel features a Malayan mother who becomes an unlikely spy for the invading Japanese forces during WWII—with shocking consequences for her family, and her country.
Malaya, 1945. Cecily Alcantara’s family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into service at the comfort stations. Her eldest daughter Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day.
Cecily knows two things: that this is all her fault; and that her family must never learn the truth.
A decade prior, Cecily had been desperate to be more than a housewife to a low-level bureaucrat in British-colonized Malaya. A chance meeting with the charismatic General Fujiwara lured her into a life of espionage, pursuing dreams of an “Asia for Asians.” Instead, Cecily helped usher in an even more brutal occupation by the Japanese. Ten years later as the war reaches its apex, her actions have caught up with her. Now her family is on the brink of destruction—and she will do anything to save them.
Spanning years of pain and triumph, told from the perspectives of four unforgettable characters, The Storm We Made is a dazzling saga about the horrors of war; the fraught relationships between the colonized and their oppressors, and the ambiguity of right and wrong when survival is at stake.